Art and design






Life and style








US news

World news

Schools music boost urged as Britons fail to make Menuhin violin finals

Yehudi Menuhin in 1954 with his sons. He made his first public appearance aged seven as solo violinist with the San Francisco Symphony Orchestra.
Yehudi Menuhin in 1954 with his sons. He made his first public appearance aged seven as solo violinist with the San Francisco Symphony Orchestra. Photograph: Ullstein Bild/ullstein bild via Getty Images

The failure of budding British violinists to qualify for one of the world’s most prestigious music competitions has led to calls for a music revolution in schools.

The Menuhin Competition, founded by Yehudi Menuhin in 1983, is known as the “Olympics of the violin”, with many contestants going on to international recognition. Participants and prizewinners include the soloist Tasmin Little and Japan’s Daishin Kashimoto, concertmaster of the Berlin Philharmonic.

But while 15 UK musicians entered this year’s competition, none has made the shortlist, which is announced tomorrow on Monday. The 44 contestants have been chosen from 17 countries around the world. The failure has sparked renewed calls for the government to invest more in musical education to let the next generation compete on the world stage.

Gordon Back, artistic director of the Menuhin Competition, said: “The overall quality is absolutely terrific. The junior section is always extraordinarily high. That always surprises me. But this time, also the level of seniors is of an extremely high standard of excellence.”

On the performance of British candidates, Back said: “Unfortunately, none was accepted. Of the 44, I would say 30 picked themselves – superstar quality.”

Back said that part of the problem was that the British love all-round education. “In a way, they don’t like specialising too early in one discipline, whether it’s sport or anything. I do think it’s our responsibility to nurture musical education in the earlier years. You have to in terms of producing international stars. Past governments, and this one, have given so little opportunity to the arts, instead of realising their importance and what they contribute to our society.”

He pointed to scientific studies showing the benefits: “The University of Southern California’s Brain and Creativity Institute found that musical experience in childhood can actually accelerate development. Another study has proved that learning to play an instrument can improve mathematical learning and language, and strengthen memory skills.”

He added: “I grew up in a very poor area of south Wales where music was positively encouraged and you had violins for free to play. That doesn’t exist any more … Back in Wales in the 1950s, there was a thriving national youth orchestra, but also a local county youth orchestra, which was at an extraordinary standard.”In recent years, the cellist Julian Lloyd Webber has also warned of a crisis in music education, noting that “children go through their entire education without playing an instrument or without hearing music by any of the great composers”.

Two of this year’s shortlisted Menuhin musicians are aged just 10, and are among the youngest ever selected. They are from Australia and Singapore.

The Menuhin Competition takes place in Geneva, Switzerland, between 12 and 22 April, featuring concerts, masterclasses and the competition rounds. Prizewinners will be offered concert opportunities and courses. A senior winner will, for example, perform a concerto with the Royal Philharmonic Orchestra next year. The top two prize winners will be loaned top-notch violins for a year. A third special prize winner will also be loaned a Stradivarius violin for two years after the competition.

• This article was amended on 16 January 2018. An earlier version said one of youngest shortlisted musicians were from Hong Kong. They were from Singapore. The list of prizes has also been corrected.

This article titled "Schools music boost urged as Britons fail to make Menuhin violin finals" was written by Dalya Alberge, for The Observer on Sunday 14 January 2018 12.05am


Readers recommend: share your songs about fairness

This week, we’re looking for songs about fairness in everyday life. For more on how to interpret… Read more

Park Jiha: Communion review – ancient sounds, modern vibe

Korean musicians have created some of the most exhilarating, unexpected folk-rock fusion work of… Read more

Stormzy's Brits triumph sees grime star take on the world

When Stormzy and producer Fraser T Smith started work on the grime star’s debut album, the pair… Read more

Turnstile: Time & Space review – teeth-rattling hardcore … with a dash of Status Quo

Eight years after singer Brendan Yates and guitarist Brady Ebert started rehearsing in a… Read more

Readers recommend playlist: your songs about Spain

Here is this week’s playlist – songs picked by a reader from hundreds of stories and suggestions on… Read more

Wiley review – grime's graceful godfather cements his reputation

“What the fucking hell is this?” the crowd chant angrily as the in-house PA plays S Club 7. Wiley’s… Read more

Vance Joy: Nation of Two review – nuggets of supermarket psychology

What would a piece of soft furnishing sound like if turned into a song? Or a Thomson Holidays… Read more

Hailu Mergia: Lala Belu review – African accordion star still an original

The “obscure outsider artist from beyond the west” has become a familiar trope for old music… Read more

How Hayley Kiyoko became pop's 'lesbian Jesus'

It is almost 10 years since Katy Perry first sang, “I kissed a girl just to try it,” with the… Read more

Anna von Hausswolff: Dead Magic review – doomy epic from a supernatural talent

The organ is a strange and compelling instrument, its pedal board capable of moving the secular and… Read more